Wednesday, October 30, 2013
Monday, October 28, 2013
Of Honey, Roses,and Venom
Of Honey, Roses,and
Venom
L. Edgar Otto 27 October, 2013
I. Mothers & Daughters Work the Bars & Dress Up for
the Other Halloween
The hidden side of
one way mirrors work both ways
to lift a face and
mask
Tammy Faye head on,
imprinting, colliding with my
tee shirt, make-up,
leaves here face a featureless cloud
It starts with
children's shows, mom, dad, puppets, local TV
or Xuxa, once a pron
star, now darling redeemed
Beloved by the peanut
gallery
Of clowns and Captain Kangaroo
tragic masks, comic
masks, epic preternatural
Bottle fed shadow
sheep stuffed animals to be shorne
of wool, ride
bareback on the prancing pony dream, or
Unicorns only to be
pushed out of opened doors
puppy mills, already
lost far from the strand and broken
Thru walls and Great
Balls of fire until if lucky realize
the Rolex watch
reward and large brass golden giraffes
Cheap knock off
copies
II. Does God do
Automatic Writing
We used to count by
letters made of god-like
hieroglyphics, runes
near to them
Then just put on the
pictures or spoken story
alphabet of metaphor,
history emerged entangled
Half babble Rosetta stones in fractured leaps
leaving clues
Alas, the numbers for
their tally marks, recycled wood
to burn, contracts
long forgotten or in commerce
Made of cuneiform then sealed inside ball of baked clay
masking them until
they're broken.
This empire new
slogans carve, a pipe or cave
filled with crushed
pillars of Pharaohs past
The prophets speak of
generations, empty, seething
brimstone, or
successive layers, levels of hell
Echoed here in
earthly tells, gods, ghosts, now aliens
from end time
prophesy to predictions we call science
Women still blow
pigment to spray paint on cave walls
their hands that
leave a shadow.
III. Venom
Razzle-Dazzle or Camouflage
Sweet Rose Etta, I
left but with a withered blossom with
acid fire on a chain
link fence see thru as you tossed with
Your wedding bouquet, Venus belt trapped on the fly
with stained glass
slippers, the imprint of you open hand
Slap on my face, so I
read the news report ow well you were loved, your general hospitality- I part
of your pelts of motherhood
Boys and their puppy
dong tails - I saw my pet speckled
slug as beautiful as
your freckled mug- Rhesus negative Who
frets she cannot wear green or look like Christmas
cat fight claw my
Rh-positive animus, the little red haired girl
Hell for me would be
to take a younger Eve
tempted even if she
were a nurse, relive my father's fate
Then she remove one
node and all its links that our
new world encased
upon itself brings conflict
Breaks apart love
between my children's sisters, brothers
even step and half
siblings, lost modern families
Even the last left of
a nuclear one to fission itself
All this somehow
foreseen, my path a little less
than my father's
failures- beyond resentment biological
Mom took with her to unforgiving innocence down below
as you whom I doubt
said loved him, there alone to pull the
Plug following the circle
of your slime of slugs
May you - and whatever
lesser god that cannot forgive and
struck you blind -
rot and burn in a forgotten hell.
* * * * *
For imaginary garden submitted Monday... concerning masks... Only could see two of you before phone slowed down and main PC went on the blink (at library now) did read some others but could not comment.
I took the Vandana's flower picture as inspiration and the venom of fireblossom... sorry if it is too dark...
Friday, October 25, 2013
Watchtower
Watchtower
L. Edgar Otto 25 October, 2013
The bus stopped in Swavesey, by the old clock
late at night from Ely's Isle to Alconbury
That urge to lose myself in crises flight, some
endless space in but safe measured hours
That to desire to seek the far away drives me
back to home, there already, we cant return again
But while the rumble lasts, glaring light hiding the night
you Carol sit by me, I not the caboose chasing your train
The driver, and the couple between him and us, well
she setting on his lap, we pretend not to notice
You show me what you bought the day in Market Square
I have you give me your address so I might write in
An old book of wisdom from a bygone age, a sister's praise of
sisters, opium eater diary, or picture of the days of plague
You get off by the watchtower, its pale Roman numeral clock
a thousand miles away the book took another subway route
I could not write you, my words blacked out, returned by
prying eyes afraid of jazz terms I loving your isle too much
At the watch tower I see your ginger hair, freckles, smiles thru
the window while the night light clock grows dim behind me
There was nothing else worth to watch for you someone
I could have loved and more, friends, our heartbeats side by side
* * * *
For imaginary garden... thoughts evoked from the lyrics of songs, and barn dances once my home...
Added later after thinking about how I used "dim" in this poem without thinking about it then seeing the same themes in the other poet's here... that and a friend mentioned too how he had to use the word dark matter or energy differently every time he used it... so I thought I might, as a source of terms made clear try to coin some clearer ones as seems it best a poet's duty. The physicists run out of Greek roots it seems, or how creative the "gluon" not or quark that means cottage cheese... I used opaque substance or Dark matter like or obscure matter, or anything with the simile the so called "God Particle" for awhile called Higgs-like.
So here a final thought as a poem after this daunting yet glorious educational prompt so much so at the beginning and way beyond the cycles of seasons and days intimate to our souls at the end of the line...
Crepuscles and Gloam
L. Edgar Otto 26 October, 2013
Why must my shining light racing off
into the starry horizon
leave behind my cloud of gloam?
I slow in the salty scudy sand grain
broken shells of crystal waves
walk on water quickly sand sea foam
Poets as well feel yet the hidden scoff
so think unique zodiacal lights refrain
their own horizon's inky rain of tomes
Our compass North falls off the world
ghosts vanished there yet leave their bones talk
to each other as if to them, seek diamond double cones
Walk on shaky ropes of time up from our marrow
where we're close, may fall, riding one loves arrow...
* * * *
Glossary perhaps in this footnote:
Crepusculum and Gloam
L. Edgar Otto 26 October, 2013
crepuscle(s) : obscure or dark (twilight) matter and
gloam: the same for the concept of dark or hidden energy; dusk dust
Starrizon: (the starry horizon) mirror compliment of gloam, gloamnium.
Calyptic Substance (energy, thoughts, or matter): hidden, esoteric (vs neoteric physics)
* * *
L. Edgar Otto 25 October, 2013
The bus stopped in Swavesey, by the old clock
late at night from Ely's Isle to Alconbury
That urge to lose myself in crises flight, some
endless space in but safe measured hours
That to desire to seek the far away drives me
back to home, there already, we cant return again
But while the rumble lasts, glaring light hiding the night
you Carol sit by me, I not the caboose chasing your train
The driver, and the couple between him and us, well
she setting on his lap, we pretend not to notice
You show me what you bought the day in Market Square
I have you give me your address so I might write in
An old book of wisdom from a bygone age, a sister's praise of
sisters, opium eater diary, or picture of the days of plague
You get off by the watchtower, its pale Roman numeral clock
a thousand miles away the book took another subway route
I could not write you, my words blacked out, returned by
prying eyes afraid of jazz terms I loving your isle too much
At the watch tower I see your ginger hair, freckles, smiles thru
the window while the night light clock grows dim behind me
There was nothing else worth to watch for you someone
I could have loved and more, friends, our heartbeats side by side
* * * *
For imaginary garden... thoughts evoked from the lyrics of songs, and barn dances once my home...
Added later after thinking about how I used "dim" in this poem without thinking about it then seeing the same themes in the other poet's here... that and a friend mentioned too how he had to use the word dark matter or energy differently every time he used it... so I thought I might, as a source of terms made clear try to coin some clearer ones as seems it best a poet's duty. The physicists run out of Greek roots it seems, or how creative the "gluon" not or quark that means cottage cheese... I used opaque substance or Dark matter like or obscure matter, or anything with the simile the so called "God Particle" for awhile called Higgs-like.
So here a final thought as a poem after this daunting yet glorious educational prompt so much so at the beginning and way beyond the cycles of seasons and days intimate to our souls at the end of the line...
Crepuscles and Gloam
L. Edgar Otto 26 October, 2013
Why must my shining light racing off
into the starry horizon
leave behind my cloud of gloam?
I slow in the salty scudy sand grain
broken shells of crystal waves
walk on water quickly sand sea foam
Poets as well feel yet the hidden scoff
so think unique zodiacal lights refrain
their own horizon's inky rain of tomes
Our compass North falls off the world
ghosts vanished there yet leave their bones talk
to each other as if to them, seek diamond double cones
Walk on shaky ropes of time up from our marrow
where we're close, may fall, riding one loves arrow...
* * * *
Glossary perhaps in this footnote:
Crepusculum and Gloam
L. Edgar Otto 26 October, 2013
crepuscle(s) : obscure or dark (twilight) matter and
gloam: the same for the concept of dark or hidden energy; dusk dust
Starrizon: (the starry horizon) mirror compliment of gloam, gloamnium.
Calyptic Substance (energy, thoughts, or matter): hidden, esoteric (vs neoteric physics)
* * *
Wednesday, October 23, 2013
An Anthology of Flowers
An Anthology of Flowers
L. Edgar Otto
24 October, 2013
The shawled lady worked the amusement park
the theaters, restaurants around the penny arcade
She sold Kewpie dolls with long crape paper dresses
and bouquets or a single rose, her artificial flowers
How could the sailor refuse after the ride thru the
tunnel of love, was the neon light in her eyes as artificial?
Who with mooning gaze could refuse the wider ones,
pointed hair. for you Doll dressed up, hold your baby
Baby, baby face, you got the cutest little baby face
Oh don't you need one? Let's walk hand on hand
No one will know in the privacy of the instant photo booth
what sort of poses we display, its OK I will show no one
The child that followed her on her rounds looked up at
the two headed man and poster, mushroom cloud splitting the earth
Leaving the ocean view, merry-go-round, roller coaster screams'
here's your cap mister, you left it on the carousel booth
He gives the boy a silver dollar, the small train smells of coal
I can ride it to the Promised Land or all around again
The boy thinks, more nickels for the Nickel, Nickelodeon
he cannot enter therein but can still point the way
As they leave the amusement park a Kewpie falls out of
her dress and they make fun of the swabbies he looks back
At the lady's artificial flower in her hair, then the dolls ruby lips,
sings goodbye Milk and Honey, goodbye Humpty and Dumpty
* * * * *
Kerry's prompt on Imaginary Garden
Monday, October 21, 2013
Epistle to Alduz
Epistle to Alduz L. Edgar Otto 21 October, 2013
When the Intelligent Designer of whom we could not speak His name said
"Let there be gluons", the Chosen in their towers of babble wrote Him out of the Play
One minor species or tribe arose by chance from all the elements and exoplanets in
the image of Universal Law to which the people labored in exile from the imagined Gardens
Beholding the great supercollider of the sky, the source of mass was made manifest for
in the dark matter on the face of the deep so his creatures felt its telescope
That time repelled his amplification condensing into gravity as in the heavens so on Earth
that the creature could evolve fore-ordained who endures or is born again, the word
Spoken and written without the soul of vowels a mystery offending the left hand that
the road to Heaven was paved with infant's skulls to hell's bottomless potential wells
The sum of paths the same at every branch or around the canopy in totality
Enter Pythagoras or his likes all at once at a distance to begin alphabets and history
"Did I bid you keep separate your church and state, a lesser broken place your helpmate
Temptress of uncertainty first and last man, my eighth day work no rest begun?"
"O Lord, He whose center is singularity and circumference a hypersphere beyond
the stars and God dust string motes everywhere, did I not pray, ask you your design?"
God then looked at his handiwork tried of testing rainbows, tired of ends in fire then
Said to these mortal creatures he knew not ready, personally, " It is disgusting."
Adam kept a level head in flatland and gazed elsewhere shutting up to measure
the plots of mud left by the Nile, the cubits of pyramids and New Jerusalem
"You see in my perfection I born without umbilical in your image and purposes conserved
In symmetry, a creative lesser god, where before the world was, I Am, we will be".
* * * *
Sunday, October 20, 2013
Speak No Ill of the Dead but Shout Out Our World is Living
Speak No Ill of the Dead but Shout Out Our World is Living or
A Letter to His Mythical Home before His Last of Battles
L. Edgar Otto 20 October, 2013
We live free in a least government state to follow our individual purposes, fit in smoothly with the expanding society, or even ride the light of a God not our will unto a weapon unto others.
For as we are distracted by the fantasy's of those who see the state as everything, and hold its people individually without it do not exist at all, lies and charging all outside it conspiracy, the leaders feel the state is fixed and real so too the people fill their empty lives to heed, or fear, or redirect their path as salvation to the puppet strings they give attention.
The dead do not belong to the state that like in primitive tribes they can be tried for non-participation, their self-sacrificed corpse put on public display, confession by the ceremony of the circus. The memorials merely serve to rewrite history, maintain regimes of accidental or ruthless victors. The dead belong to the mothers, lovers, children and the soldier who sacrificed for what he believed, believing in others in sincerity or fool hardy, so serve a deep or small part.
The dead do not belong to the soldiers who dispatch them, not for superstition as once we ate the heart of our enemy, gained their power, gave them honor. The times moving us without control the fallen leaves in turbulent wind, here and there a pile of molding leaves to walk around, permit the living to forget lest it wounds their lives and lives to come, the troubled minds with flashback of the job, the test but unto death of strength, defense of genes pools and territories not forgotten the nagging guilt that we may have grown callous and uncaring to our fellows.
But far worse the departed and those caught in the crossfire, the hopeless rising in the ghettos, the children at war with each other overlooked as long as contained on the other side of tracks, and those who forgot their roots so to use the law as their chains... thus and is the machine of drones that moves by design and cold gears, inertia growing strong, that myth of spring we who recall its passion in the rants and rage against the twilight of autumn night far worse, as if above the clouds the bombs fall distance, our hands are washed from troubled dreams and face to face reopen wounds with bayonets, one military man to another, the missing limbs not buried at Arlington hold no regrets.
The military man was not meant merely to just supply the seed, to grow fat on free loaded pension honey, the queen is slow to pay them anyway if they don't die but fade away. For what, that his sons cannot bring to the world some poetry, or that his daughters are infertile workers for the hive without dreams of her own?
Work it is the ethic on which we build and self-rely, and work it is sacred that we bring to it what we can to ease life in this world, and work is the enemy in that it feeds on slavery with promises that it will make you free, busy work for its own sake to learn the habit as routine so accept moving pointless objects around to sort them and if efficient find them jumbled again before the clock shift is over and the conveyor belts grow silent there relentless bone crushing sweat shop explosion. Work is that which we find absurd to do if an animal, another, or a machine can do better. But if we promise the least of that for a place in the society it is perhaps that the state still fears that we have learned to use our stingers and our ladies to make their own honey. Or worse that deep down they know but cannot test that we will not break down to violate in faith our good hearts without limits.
We may not fool the dead, our leaders some of the time for as such they fool themselves all of the time, and if the dead can vote or the voting dead the state remains unreal to which no rite of legitimacy or span of hegemony can insure a state endures- not when divided in its life and the life of its people.
* * * *
Perhaps for Open Link Monday Imaginary Garden...
A thought in the back of my mind, I of lesser sacrifices alive but faded away, no more the sting of false promises reaching the summer outings, parades of Memorial Day that Lincoln promised care for the loved ones of those fallen...
Love in the Icy Cold of Space
Love in the Icy Cold of Space
L. Edgar Otto 20 October, 2013
The universe itself is a cave
what attracts, what repels
What in the sea of ice is hidden
nine tenths under swirling waters
There must be more than echos
as we cry out, make messages of song
Send them off inside bottles
after the wine bids us sleep awhile
I am not Virgil where imagination can
send my senses to a climax, no poetry can
Wait to penetrate the mystery of love
Yeats and the moon shaddow eaten
Somewhere weightless deep in space
doubled our stardust face to face
That I worship you, entwined realities
one again exploring new geometries
What in your ankle sent Frenkel wandering
in wonder far from the arms of Milky Way
His magic marker and equations on your
belly down to the end your belly button
Nature, no one can keep her in a pumpkin shell
crave on it our face that jack-o-lantern light shows thru
At midnight again, mice under snow cover
then the search to see who fits the one glass slipper
Against the cold of night the fall or bounce of dreams
we crave the cave as well for the cuddles in respite
Build our domes of blocks of snow but cannot know
If the spring returns its sun lost in midnight
* * * *
In the viXra an interesting shot film and book review inspired and kept me busy then I saw Hannah's prompt on imaginary gardens... sorry I am late, another fine exercise of love and the cosmos as poetry.
L. Edgar Otto 20 October, 2013
The universe itself is a cave
what attracts, what repels
What in the sea of ice is hidden
nine tenths under swirling waters
There must be more than echos
as we cry out, make messages of song
Send them off inside bottles
after the wine bids us sleep awhile
I am not Virgil where imagination can
send my senses to a climax, no poetry can
Wait to penetrate the mystery of love
Yeats and the moon shaddow eaten
Somewhere weightless deep in space
doubled our stardust face to face
That I worship you, entwined realities
one again exploring new geometries
What in your ankle sent Frenkel wandering
in wonder far from the arms of Milky Way
His magic marker and equations on your
belly down to the end your belly button
Nature, no one can keep her in a pumpkin shell
crave on it our face that jack-o-lantern light shows thru
At midnight again, mice under snow cover
then the search to see who fits the one glass slipper
Against the cold of night the fall or bounce of dreams
we crave the cave as well for the cuddles in respite
Build our domes of blocks of snow but cannot know
If the spring returns its sun lost in midnight
* * * *
In the viXra an interesting shot film and book review inspired and kept me busy then I saw Hannah's prompt on imaginary gardens... sorry I am late, another fine exercise of love and the cosmos as poetry.
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